By John Duncan Talbird. Since 1982’s Koyaanisqatsi (dir. Godfrey Reggio), time-lapse photography has become a convention, sometimes to the point of cliché. Still, we’re stunned every now and then by […]
By John Duncan Talbird. Since 1982’s Koyaanisqatsi (dir. Godfrey Reggio), time-lapse photography has become a convention, sometimes to the point of cliché. Still, we’re stunned every now and then by […]