CfP: Film and Economics in the 21st Century: paradigms and disruptive proposals in non-English-language cinemas Edited by André Rui Graça (LabCom/University of Beira Interior, Portugal; CEIS-20/University of Coimbra, Portugal) […]
By Elias Savada. The Association of Moving Image Archivists (AMIA) has supported a wide variety of members from around the globe: ‘archivists, librarians, collectors, curators, students, educators, artists, technologists, researchers, distributors, exhibitors, service providers, consultants, […]
By Andrew Repasky McElhinney. Poole’s life covers an enviable (at least in retrospect, at least to me) span of the post-WWII 20th century America…. [with] one of the first positive representations of Gay […]
By Ted Knighton. Merhige pushed the distortion to its limits to transform the look of his film, exploding the emulsion’s grain and slowing the frame-rate to stagger time and motion…. Begotten is, at […]
Unnatural Selection (2019)
The post Film Scratches: October 2021 appeared first on FilmInt.nu.
At Retreats from Oblivion: the Journal of NoirCon, FilmInt contributor Richmond B. Adams discusses Welles’ The Stranger: Welles’s war-time writings demonstrated his concern that America, even as it celebrated military victory, might, in […]
Vin Diesel faces the newest addition to the franchise, John Cena
The post F9: The Fast Saga – A Mega Dose of Sound and Fury appeared first on FilmInt.nu.
From my one viewing, it became evident that George Romero was not a zombie film director.” Some 42 years have passed since George Romero kindly showed me The Amusement Park at his Latent Image office […]
At Daggers Drawn
The post Film Scratches: March 2021 appeared first on FilmInt.nu.
Critic and Film International contributor Alexandra Heller-Nicholas discusses her 2020 book 1000 Women in Horror (BearManor Media) on the Rutgers University-Camden site. A few quotes from the interview: “1000 Women in Horror was […]