Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. noCOM stands for “[…]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Toogie’s Trip […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Jack Wormell’[…]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Chang Po-Yang […]
Editor Salvador Jiménez Murguia recently published The Encyclopedia of Racism in American Film (Rowman & Littlefield, 2018), a project that covers the breadth of material it promises and features work by several top scholars in […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Dream City, […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Jacques Spohr is […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Una Mina is […]
By Gary M. Kramer. Brian DePalma’s 1983 remake of Howard Hawks’ Scarface, with a script by Oliver Stone, had a special 35th anniversary screening at the TriBeCa film festival with DePalma, Pacino, and costars […]
Contributions are invited for a special edition of Film International devoted to the “mondo” shock documentary film. The mondo genre was created in the 1960s by Gualtiero Jacopetti, Franco Prosperi and Paolo Cavara with their […]