By Sotiris Petridis. When we hear “Christmas films” we usually think of family-themed movies, comedies or even rom-coms, but the last thing that comes in mind is horror. Many horror films are based […]
FilmInt on the Underground is a blog dedicated to emerging filmmakers. By April L. Smith. Andrzej Jachimczyck’s documentary Artworkers is less than twenty minutes long, yet in that short span of time, the film […]
By Daniel Lindvall. At the time of writing [20 August 2015] the University of Southern California’s Annenberg School for Communication and Journalism has just published what is described as ‘the most comprehensive analysis of […]
Fairleigh Dickinson University Press invites the submission of proposals for books, monographs, or essay collections focused on law as portrayed in the moving image and other fields in the humanities. Possible topics range from scholarship […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. The Royal Road, […]
By Cleaver Patterson. In the February 1984 issue of films magazine Derek Malcom, the newly appointed Director of the London Film Festival, introduced himself with a bold statement, claiming that “the LFF is known all […]
By Paul Risker. Every filmmaker has a story and English filmmaker Adam Mason’s began with a resilience in an hostile landscape. Looking back on the early part of his career during which time he […]
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. An Interview by David Finkelstein. Janie Geiser has […]
By Elias Savada. I love shorts. Bermudas. Boxers. Short’s Brewing of Michigan. (Yes, there is a beer tie-in. Read on.) But for this column, I’m talking film shorts. And I guess most […]
FilmInt on the Underground is a blog dedicated to emerging filmmakers. By April L. Smith. Modern horror films have tended to fall back on gore or jump scares to evoke fear in the viewer. Matthew […]